Being a writer changes the way you experience the world. You’re a student of the senses; you notice the way light curls when it lands on your arm, or the scent, texture and flavor of a honeycomb. You notice the lines of his torso, the vectors of her arms, the way he seems so reptilian you might check for scales while he sleeps, or the way her stretches are so lupine you begin to anticipate the full moon.

Or maybe those prone to sybaritic voyeurism become writers, artists, chefs, craftsmen, and connoisseurs by default, knowing no other way to bear a sensually-saturated world. I imagine it’s a little of both, and that by writing, by creating, we nurture our natural tendency to luxuriate in the physical. We stretch each tactile experience, each olfactory delight, each epicurean delicacy and visual enchantment, until it’s large enough to wrap ourselves in, and it becomes more than physical. It becomes metaphorical, philosophical, spiritual– we drape our characters in our discoveries, our curiosities, and we vicariously unravel existential complexities through them.

More than anything, we tell stories.

Will you tell me about three sensual details you noticed today?